Water Margin | |
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An illustration of the novel |
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Author | Shi Nai'an |
Original title | 水滸傳 |
Country | China |
Language | Chinese |
Media type |
Water Margin (simplified Chinese: 水浒传; traditional Chinese: 水滸傳; pinyin: Shuǐhǔ Zhuàn) (also known as Outlaws of the Marsh, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang) is one of the Four Great Classical Novels of Chinese literature. Attributed to Shi Naian, the novel details the trials and tribulations of 108 outlaws during the Song Dynasty period of Chinese history.
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Water Margin is a novel based on the outlaw Song Jiang and his 36 companions. The group was active in the Huai River region and surrendered to the government in 1121. They were recorded in History of the Song Dynasty of the Twenty-Four Histories. The name of "Song Jiang" appeared in the chapter of Emperor Huizong of Song while the activities of the outlaw group were mentioned in the chapter for Zhang Shuye.
Folk stories of Song Jiang circulated during the Southern Song Dynasty period. The first text to name Song Jiang's 36 companions was Miscellaneous observations from the year of Guixin (癸辛雜識) by Zhou Mi, written in the 13th century. Among the 36 were Lu Junyi, Guan Sheng, Ruan Xiaoer, Ruan Xiaowu, Ruan Xiaoqi, Liu Tang, Hua Rong and Wu Yong. Some of the characters who later became associated with Song Jiang also appeared around this time. They include Sun Li, Yang Zhi, Lin Chong, Lu Zhishen and Wu Song.
A direct precursor of Water Margin was the Old incidents in the Xuanhe period of the great Song Dynasty (大宋宣和遺事), which appeared around the mid-13th century. The text is a written version of storytellers' tales, based on supposed historical events. It is divided into ten chapters, roughly covering the history of the Song Dynasty from the early 11th century to the establishment of the Southern Song regime in 1127. The fourth chapter covers the adventures of Song Jiang and his 36 companions, and their eventual defeat by Zhang Shuye. Some of the more well-known stories and characters of the Water Margin are clearly visible, including "Yang Zhi sells his precious saber", "Robbing the convoy of birthday gifts", "Song Jiang kills Yan Poxi", "Fighting Fang La" etc. Song Jiang and his outlaws were said to operate in the Taihang Mountains.
Stories about the outlaws of Mount Liang became a popular subject for Yuan Dynasty drama. During this time, the material on which the Water Margin was based evolved into what it is today. The number of outlaws increased to 108. Even though they came from different backgrounds (including scholars, fishermen, imperial drill instructors etc) all of them eventually came to occupy Mount Liang. There is a theory that Water Margin became popular during the Yuan Dynasty as the common people (predominantly Han Chinese) resented the Mongol rulers. The outlaws' rebellion was deemed "safe" to promote as it was supposedly a negative reflection of the fallen Song Dynasty. Concurrently, the rebellion was also a call for the common people to rise up against corruption in the government. The Chongzhen Emperor of the Ming Dynasty, acting on the advice of his ministers, banned the book to suppress rebellions.[1]
There is some considerable debate on the authorship of Water Margin. Most believe that the first 70 chapters were written by Shi Nai'an, while the last 30 chapters were written by Luo Guanzhong (the author of Romance of the Three Kingdoms). Luo may have been a student of Shi. It has also been suggested that Shi did not exist but was merely a pseudonym for Luo himself.
Evidence from the text itself strongly suggest that the author was a native of Zhejiang province (as both Luo and Shi were) who had little knowledge of northern China. At a 2006 conference, some leading Water Margin scholars agreed that Shi and Luo were the same person. When the name "Shi Nai'an" is written reversely, it reads "An Nai Shi", which is colloquially translated as "It is I again."
It is not clear how close Luo's edition was to those that are known today. The earliest extant edition of Water Margin is a 100-chapter printed text dating from the mid-16th century. Another edition, with 120 chapters by Yang Dingjian (楊定見), has been preserved from the Wanli era (1573–1620). Yet other editions were published since this era to the early Qing Dynasty, including a 70-chapter edition by Jin Shengtan.
The opening episode is the release of the 108 spirits, imprisoned under an ancient stele-bearing tortoise.[2] The next chapter describes the rise of Gao Qiu, the main antagonist of the 108 heroes. Stories of the outlaws are told in separate sections in the following chapters. Connections between characters are vague, but the individual stories are eventually pieced together by chapter 40 after Song Jiang becomes the leader of the outlaw band at Mount Liang (Liangshan Marsh).
The plot further develops by illustrating the conflicts between the outlaws and the Song government after the Grand Assembly. Song Jiang strongly advocates making peace with the government and seeking redress for the outlaws. After defeating the imperial armies, the outlaws are eventually granted amnesty by the emperor. The emperor recruits them to form a military contingent and allows them to embark on campaigns against invaders from the Liao Dynasty and suppress the rebel forces of Tian Hu, Wang Qing and Fang La within the Song Dynasty's domain.
The following outline of chapters is based on a 100-chapter edition. Yang's 120-chapter edition includes other campaigns of the outlaws on behalf of Song Dynasty, while Jin's 70-chapter edition omits the chapters on the outlaws' acceptance of amnesty and subsequent campaigns.
Chapter | Event |
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1 | Marshal Hong releases the 108 spirits |
2 | The rise of Gao Qiu |
2–3 | The story of Shi Jin |
3–7 | The story of Lu Zhishen |
7–12 | The story of Lin Chong |
12–13 | The story of Yang Zhi |
13–20 | The robbing of the birthday gifts led by Chao Gai and the "original seven" |
20–22 | The story of Song Jiang |
23–32 | The story of Wu Song |
32–35 | The story of Hua Rong |
36–43 | The exile and rescue of Song Jiang |
44–47 | The story of Shi Xiu and Yang Xiong |
47–50 | The three assaults on the Zhu Family Village |
51–52 | The story of Lei Heng and Zhu Tong |
53–55 | The outlaws attack Gaotangzhou; the search for Gongsun Sheng |
55–57 | The first imperial assault on Liangshan Marsh (led by Huyan Zhuo) |
57–59 | The outlaws attack Qingzhou |
59–60 | The outlaws attack Mount Mangdang |
60 | The first assault on the Zeng Family Village; the death of Chao Gai |
60–67 | The story of Lu Junyi; the outlaws attack Daming; the second imperial assault on Liangshan Marsh (led by Guan Sheng) |
67 | The third imperial assault on Liangshan Marsh (led by Shan Tinggui and Wei Dingguo) |
68 | The second assault on the Zeng Family Fortress |
69–70 | The outlaws attack Dongping and Dongchang |
71–74 | The Grand Assembly; the funny and lethal antics of Li Kui |
75–78 | The emperor offers amnesty for the first time; the fourth imperial assault on Liangshan Marsh |
78–80 | The fifth imperial assault on Liangshan Marsh (led by Gao Qiu) |
81–82 | The outlaws are granted amnesty |
83–89 | The outlaws attack the Liao invaders |
90–99 | The outlaws attack Fang La's rebel force |
100 | The tragic dissolution of the outlaws |
The extended version includes the Liangshan heroes' expeditions against other notable rebel leaders, Tian Hu in Hebei and Wang Qing in Sichuan, prior to the campaign against Fang La.
Japanese translations of the Water Margin date back to at least 1757, when the first volume of an early Suikoden (Water Margin rendered in Japanese) was printed.[3] Other early adaptations include Takebe Ayakari's 1773 Japanese Water Margin (Honcho suikoden),[4] the 1783 Women's Water Margin (Onna suikoden),[5] and Santō Kyōden's 1801 Chushingura Water Margin (Chushingura suikoden).[6]
In 1805, Kyokutei Bakin released a Japanese translation of the Water Margin illustrated by Hokusai.[7] The book, called the New Illustrated Edition of the Suikoden (Shinpen Suikogaden), was a success during the Edo period and spurred a Japanese "Suikoden" craze.[7]
In 1827, publisher Kagaya Kichibei commissioned Utagawa Kuniyoshi to produce a series of woodblock prints illustrating the 108 heroes of the Water Margin.[7] The 1827-1830 series, called 108 Heroes of the Water Margin or Tsuzoku Suikoden goketsu hyakuhachinin no hitori, catapulted Kuniyoshi to fame.[7][8] It also brought about a craze for multicolored pictorial tattoos that covered the entire body from neck to mid-thigh.[8]
Following the great commercial success of the Kuniyoshi series, other ukiyo-e artists were commissioned to produce prints of the Water Margin heroes, which began to be shown as Japanese heroes rather than the original Chinese personages.[7]
Among these later series was Yoshitoshi's 1866-1867 series of 50 designs in Chuban size, which are darker than Kuniyoshi's and feature strange ghosts and monsters.[7]
The Water Margin has been translated into many languages. Pearl S. Buck was one of the first English translators of the 70-chapter version. Titled All Men are Brothers and published in 1933, the book was well-received by the American public. However, it was also heavily criticized for its errors and inaccuracies; an often cited example from this edition is Buck's mistranslation of Lu Zhishen's nickname "Flowery Monk" as "Priest Hua".
Of the later editions, Chinese-naturalized Jewish American scholar Sidney Shapiro's Outlaws of the Marsh (1980) is considered to be one of the best. However, as it was published during the Cultural Revolution, this edition received little attention then. Shapiro's translation is published by the Beijing Foreign Languages Press as a four-volume set later. It is a translation of a combination of both the 70-chapter and 100-chapter versions. The most recent translation, titled The Marshes Of Mount Liang, by Alex and John Dent-Young, is a five-volume translation of the 120-chapter version.
The Water Margin is referred to in numerous Japanese manga, such as Tetsuo Hara and Buronson's Fist of the North Star, and Masami Kurumada's Fūma no Kojirō, Otokozaka and Saint Seiya. In both works of fiction, characters bearing the same stars of the Water Margin characters as personal emblems of destiny are featured prominently. Recently, a Japanese manga called Akaboshi: Ibun Suikoden, based on the story of Water Margin, has been serialized in Weekly Shonen Jump.
Between 1978 and 1988, the Italian artist Magnus published four acts of his work, I Briganti, which places the Water Margin story in a science fiction setting. Before his death in 1996, the four completed "acts" were published in volume by Granata Press; two following "acts" were planned but never completed.
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